NEW YORK, CMC -Guyanese singer Eddy Grant has won a copyright case against former President Donald Trump over using the 1980s dance hit “Electric Avenue.” In a 30-page decision on Friday, the judge found Trump liable for damages in a hotly-contested copyright battle.
In the first legal blow, the judge found that the song was copyrighted correctly. In the second, the judge threw out the only defense in the case: a claim that Trump had made “fair use” of the song.
“It’s everything we asked for,” Grant’s attorney Brett Van Benthysen said in an interview with Business Insider. “One hundred percent.”
Another of his lawyers, Brian Caplan, said Grant, a UK citizen who lives in Barbados, has been informed of the decision.
“Mr. Grant believes that the ruling will help other artists and owners of copyrights defend against similar infringement,” Caplan said.
“This is a complete victory for Plaintiffs as to liability. Plaintiffs will be seeking attorney’s fees in the subsequent damages phase,” he added.
It remained unclear whether the parties would agree to damages among themselves or go to trial and have a jury pick a number.
“There will either be a trial just on damages, assumedly before a jury, or we could agree to a number without a trial,” Van Benthysen said.
Grant’s lawsuit demanded that Trump pay him US$300,000, although that could rise if the former president must also pay the thousands of dollars in legal fees the artist has spent during four years of litigation.
Subpoenas forced both Eddy Grant and Trump to give dueling depositions in the case, and former Trump adviser Dan Scavino was also deposed.
Grant sued Trump in 2020 over a campaign tweet — a 55-second animation that showed then-presidential candidate Joe Biden feebly puttering along a railroad track in a push cart while a high-speed “Trump-Pence” train zoomed past.
About 40 seconds of “Electric Avenue” is part of the soundtrack.
In summarizing the case history in his decision, US District Judge John G. Koeltl revealed that Scavino—Trump’s director of social media and deputy chief of staff for communications at the time—uploaded the video to Trump’s personal Twitter account on August 12, 2020.
“Scavino testified that he saw the video on a Trump supporter’s social media page either on the same day or the day before he posted the tweet,” the judge wrote Friday.
“Scavino also testified that he spoke with former President Trump before posting the tweet and that former President Trump ‘let [him] go with [his] instinct on it and post it,’” the judge wrote.
The video was viewed more than 13.7 million times, was liked more than 350,000 times, and was retweeted more than 139,000 times.
Grant’s lawyers immediately sent Trump’s lawyers a cease and desist letter, but the video wasn’t taken down until Grant sued on September 1, 2020.
The Business insider reported that in rejecting Trump’s claim that Grant had never properly secured a copyright for the Electric Avenue sound recording, the judge said it was enough that Grant held the copyright for a compilation record that included the song.
Decisions in multiple prior legal cases support that finding, the judge said.
Trump, meanwhile, was unable to cite a single supporting case, the judge said.
In rejecting Trump’s claim that the animation was a “fair use” of the song, the judge methodically followed the four-factor standard for fair-use exemptions to copyright.
The first factor looks at how the copyrighted work was used. In Trump’s case, the judge wrote that Electric Avenue was used for a commercial purpose, not for an allowable non-profit, research, or educational purpose.
The second factor examines whether the copyrighted work was “creative” or “factual.” “It is clear that “Electric Avenue is a creative work and therefore is closer to the core of copyright protection,” the judge wrote.
The third factor weighs how much-copyrighted work was taken for unauthorized use. The judge found that “the song plays for the majority of the animation; the excerpt is of central importance.”
The final factor asked “whether, if the challenged use becomes widespread, it will adversely affect the potential market for the copyrighted work,” the judge wrote.
“In this case, there is no public benefit due to the defendant’s use of ‘Electric Avenue, ’” the judge wrote.
“As the plaintiffs correctly argue, the defendants ‘could have used any song, created a new song, or used no song at all, to convey the same political message in the Infringing video.’”
The judge noted that the damage to Grant could be significant if the copyright to his songs was not strictly enforced.
“Widespread, uncompensated use of Grant’s music in promotional videos — political or otherwise — would embolden would-be infringers and undermine Grant’s ability to obtain compensation in exchange for licensing his music,” the judge wrote.
An attorney for Trump did not immediately return a request for comment from the publication.